On the Fayette commons, part 3
By Danny Mayer
Don’t look to me for virtue, for high-minded feats or elevated speech that flows in a stream of lustrous silver—when cutting is my nature, meandering my path. Find me instead lowdown, landscape in tow as I take the way of least resistance, draining the uplands, purging the slopes.
From “The river issues a statement regarding its watery ethos,” by Richard Taylor
The Scape/Landscape Architecture design plan entitled “Reviving Town Branch” presents a compelling vision for a linear downtown urban park. The plan divides the Lexington, Kentucky, Town Branch watershed into four design phase/areas: Reveal (Rupp Arena), Clean (Vine Street to CentrePointe), Carve (CentrePoint to Thoroughbread Park), and Connect (the lower East End to Isaac Murphy Park).
The Scape map, like all maps of the area, lends itself to a certain reading. The stream’s textual and cartographic flow, Reveal/Clean/Carve/Connect, makes movement from left to right, upstream, seem natural. Reading it, one might assume that Town Branch’s source flows from a revealed Rupp, passes through a cleansed then carved downtown, and thence arrives, trickled-down rainfall depending, to a textually disconnected Isaac Murphy park.
To get Town Branch, or at least to get a different Town Branch, one that takes hydrology and history as its compass axes, it seems one must read the map backwards: from right to left, downstream, East End headwaters to Distillery District emergence, connection to carve, and thence to clean and reveal. What follows is a stab at that downhill backwards reading, what I’ve been calling (with many thanks to High Bridge river rat Wes Houp) “Town Branch by rheotaxis.” ~ d