May 082013
 

By Wesley Houp

Editor’s note: What follows is an account of Wesley Houp and Danny Mayer, intrepid paddlers of the Kentucky River watershed, as they branch into Tennessee waters.

Floating on the upper Duck. Photo by Wesley Houp.

Floating on the upper Duck. Photo by Wesley Houp.

By the time we’ve trimmed the gear and bungied loose odds and ends, the sky has turned to pitch, not quite the “bible-black” of Tweedy’s predawn, but close enough.  The waning crescent, locked out, fails to backlight the low cloud-cover.  It’s only 5:30pm but it might as well be midnight.  The magnetic sibilance of shoalwater dilates my pupils as I turn in the current to face the dark downstream.  This is Danny’s first Duck River paddle, a stretch we’ve planned for months, and we’ve already had to trim eight miles off the front, concession to wives and children waiting patiently at journey’s end.  We’ll miss the Little Hurricane and Fall Creeks, but we’ll still camp tonight at the mouth of Sinking Creek above the nameless island and mussel-bound braids of Shearin Bend.  We find our line, hit the chute and shoot down the middle in quick succession, boats for tongues in a manner of articulation, the river, the ultimate grammar, its nominals of stone and deadfall submerging and emerging, modifications lisping and lapping, auxiliary perfect and progressive with modal: “Even when you’re gone, I will have been traveling over the stones for an eternity.”

Danny lets out a joyous little “whoop”, but I’m momentarily distracted; some water finds its way over my gunnels and into my shoes, reminding me of what I’ve forgotten: waterproof boots.  My worn out Sperrys sponge up the slosh.  At least the night is mild, and with only a thirty percent chance of rain perhaps my feet alone will suffer the indignities of damp.   As if to lighten the mood, the bottle of Jim Beam #7 clears its throat: “Shoes come and go, but a river lasts forever.  Bottoms up.  Downstream and seaward!”  Danny drifts up beside me, and we heed the call. Continue reading »

 

The Leek: a satirical take

By Horace Heller Hedley, IV

Image by Christopher Epling.

Image by Christopher Epling.

A confidential source has provided The Leek with a surreptitious tape of a strategy session held by senior officials of the National Rifle Association (NRA). The recording was made on April 18, 2013, the day after measures banning assault weapons and extending gun buyer background checks were defeated in the Senate.

The confidential source told The Leek that he entered the meeting with a recording device concealed in an oversized ammunition clip attached to an AR-15 semi-automatic rifle. The weapon did not arouse suspicion and was not searched.

The Leek took no direct part in making the recording. Therefore, whatever the legality of the recording, The Leek is exercising its First Amendment right to publish the manuscript, and is held harmless from legal liability under Supreme Court precedent set in the case of Bartnicki v. Vopper.

The participants in the NRA meeting appear to have been senior policymakers and legal specialists within the organization, but could not be identified.  Continue reading »

 

On the Town Branch, part 2

By Danny Mayer

I first heard about the Town Branch in a geography class at the University of Kentucky, early in 2001. We didn’t talk much about the creek itself. It was the thing that oriented us differently on the maps: our skeletal framework, a northwesterly axis, something railroad ties covered.

It would be another six years before Town Branch appeared to me in all its cavernous damp wonder. While visiting a farm in Keene, Kentucky,  I happened upon an urban caver and all-around fire-master—a man who introduced himself as “Thom-with-an-H,” the last three syllables rolling away from the lazy ‘m’ like the sharp uncoiling of a lasso (tom,with-in-atche). Over a long fire that spanned several days, Thom-with-an-H recounted to me stories of cave trips taken beneath the greater Lexington substrata. Several of these stories began or ended nearby the Town Branch Creek; a few involved walking up-creek from the edge of the Rupp Arena parking lot, into the culvert, and underneath downtown.

During that summer of 2007, I sat for hours and listened to Thom-with-an-H  talk, marveling all the while at the holes his caves were poking into my Lexington maps. It was quite heady stuff to imagine one descending underground at Cardinal Valley and emerging in Southland, or disappearing into the west end of Rupp only to re-appear one block east of the East End. Continue reading »

 

By Tony Stilt

The print version of this piece included poems by Eric Scott Sutherland and more photos by Brian Connors Manke. Follow the link to see the Sutherland poems and more Connors Manke images.

“The heavy anchor of the Foucault Pendulum hovers lazily over a blue and gold map of the United States.” Photo by Brian Connors Manke.

“The heavy anchor of the Foucault Pendulum hovers lazily over a blue and gold map of the United States.” Photo by Brian Connors Manke.

Everyone who knows the Lexington Central Public library knows that the fifth floor doesn’t matter—it is comprised of administrative offices, board rooms, et cetera. But the other four floors have a life of their own…

Floor One

The heavy anchor of the Foucault Pendulum hovers lazily over a blue and gold map of the United States, its golden pointer aiming one moment at Ohio, the next at an area I assume to be Missouri, but it doesn’t matter. It is swaying and it is the centerpiece and it is ignored, largely. Across from it a congregation is forming: people in ragged-looking coats and winter hats stand before a set of metal doors, watching them. Ding. The noise echoes through the building, its high pitch ringing into the creases of the New Releases; it rustles the protruding slips of names hanging from items on the “Requests” shelves; its persistence breezes lightly its neighbor, the pendulum, towards Georgia. Continue reading »

 

By Mary Grace Barry 

In late February, this email showed up twice in my inbox:

“Vote Lexington! The Bloomberg Mayors Challenge is nearing the finish line. This is a competition for the best ideas to improve cities. Our idea, CitizenLex.org, created by our citizens for all citizens, is up against ideas from 19 other cities nationwide. Million-dollar prizes are at stake. Starting today, you have the opportunity to Vote Lexington at www.huffingtonpost.com/mayors-challenge. Vote Lexington at the Huffington Post site, now through March 6. Tell your friends, tell your family, use Facebook and Twitter, tell everyone…Vote Lexington!”

(Didn’t you get it? Must not be on the city’s email blast list. Or, you’re not in the right network. Hopefully, we’ll have a website to ameliorate that soon.)

The Bloomberg Mayor’s Challenge is a contest to spur national innovation through initiatives developed in cities, initiatives that can be replicated in other cities. In other words, it’s an attempt at an end run around national governmental programs in a time when the capacity (or will) of federal government to address problems seems to be floundering. Bloomberg Philanthropies will pony up $9 million to the “five boldest ideas”: $5 mil to the winner, $1 mil to the next four runners-up. 305 cities submitted proposals; 20 finalists were chosen; Lexington is in that 20 (hence the email). Continue reading »

 

Valley View to Paint Lick, part two

By Wesley Houp

Danny nudges me awake.  The fire has relented to a glowing heap.  I check my watch.  It’s 3:43am.  “What’s that noise?” he whispers.  I listen, having momentarily lost my bearings to sleep.  At first I hear nothing and look back at Danny’s dark and uncertain face.  Then I discern a sound issuing from the back of the cave, a deep, raspy chirp sustained over several seconds.  Suddenly, the presence of the stranger, Free Willy, comes rushing back.  The sensation sends a ripple through my reptilian brain.  The chirping ceases, and then the voice follows.

“Don’t be alarmed, good fellows.  It’s just poor Jenkins.  He’s singing a lamentation.  Does it every night.  Throw me one of your torches and I’ll show you.”  Danny sits up and tosses his headlamp into the darkness of the cave.  The light flicks on, and there is our strange guest, holding the lamp up to a mason jar filled with water glowing like a cathode ray.  “Meet Jenkins.”  He holds the jar up in the light for us to see. Continue reading »

 

The leek: a satirical take

By Horace Heller Hedley, IV

Breaking new ground in the movement to give corporations the same rights as people, the state of Texas has become the first to impose the death penalty on a corporation. On midnight of February 1, Lone Star Diesel and Fixins’ had its Articles of Incorporation blown to pieces by shotgun fire, in the first known state-sanctioned execution of a non-human entity.

Illustration by Christopher Epling.

Illustration by Christopher Epling.

Continue reading »

 

Valley View to Paint Lick

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Campsite at cave above Mary Baker Hollow. Photo by Danny Mayer.

We slide in boats well after dark.  Snow flurries in our headlamp beams, and the rush of water over lock 9 gradually fades behind us as we settle in to the slight headwind, swirling upriver between Cedar Point Run to the south and the old YMCA Daniel Boone Camp to the north.  In no less than a mile, the wind dies, snow breaks, and stars peek-a-boo through widening cloud-faults.  Backlit by December twilight, the cleft of Mary Baker Hollow breaks the dark horizon of palisade downstream.  The current’s slight, and we ease along the dark water’s surface trying not to disrupt the reflected depth of universe gathered around us.

In less than an hour, we’re beaching at the small, rocky mouth of Mary Baker Hollow.  Danny flashes his headlamp up the steep bank.  “Devil’s Pulpit is somewhere up there.  We could camp in the cave if you’re willing to Billy Goat the gear.”  The thought of pitching the bedrolls in a more temperate cave has definitive gravity on a 20° and, as of yet, moonless night.

“Well, it’s been a while, a solid decade, since I’ve womped the environs, so you point the way and I’ll birddog the trail.”  Arms and shoulders strapped with bivouacking amenities, we trail off…and up.  Our first attempt is more blunder than buss, Danny following my uphill stumble, bush honeysuckle thwacking his sides.  I reach the base of the palisade, and the pronounced trail I’m chasing elides to a muttering swirl of oak leaves and buckberry bramble.  “Wrong way,” I announce, and scan the slope below with my lamp.  “We must’ve missed a junction.”  I slide carefully down through the tangle, loop around a large ash, and find another more sensible looking path.  “I think this is it.”  Danny clambers down and finds the trail behind and below me.

“Up again,” he mutters.  This redirection takes us on a level course, some 30 feet below the base of the cliff, and at last a spur trail ascends to a narrow rock shelter.  From here, it’s all brutally vertical for the next 75 feet.  The narrow deer trail gathers at the base of the cliff and opens up, angling around a scrolling edge of palisade and shooting straight up through a cut—a trail made by and intended for hooves, not boots, and certainly not boots on humans loaded with dry bags, cook stoves, and camp sundries.  But we manage the climb, pausing halfway to catch our wind.  The path cuts southeast, downriver, bumps over the base of a massive sugar maple, and then makes another short but acute rise.  Drained but atop this last knoll, we see the loamy ground drop back toward the foot of the cliff, and down below, the cave.  We descend sideways in short, low hops, our breath swirling and dissipating in the Cyclopes beams of our headlamps.  We drop gear and stand in the cave-mouth, illuminating the utter darkness inside the earth.  The cave extends back 50 feet or so, the ceiling and floor gradually deepening, and the rear recess runs cruciform to the mouth.  Closer inspection of the rock above reveals a massive fissure sparking up through the palisade, a fracture I quickly relate to the significant faulting along this stretch of river.

“Jillson would blush at your keen powers of observation,” Danny mutters from the mouth as he unpacks his drybag and gleefully locates his flask of Svedka.  “Here’s to Willard.”   He slakes his thirst with three round glugs.

“Jillson would be glad to know his work’s still relevant to a 21st century river rat.”  At the base of the rear wall, a narrow fissure, no more than three feet high, stretches back into the earth another 40 feet.  I bend down and peer through.  “Looks like this crevice opens up into another room.”  Though I’m momentarily tempted to scamper in, the more immediate need for fire and sustenance persuades me back to mouth.

We’re both conscious of the fragility of cave habitats, and the downward spiral of so many bat species.  According to the Nature Conservancy, the Kentucky River corridor, particularly the palisades region, is home to the only known breeding colony of endangered Gray bats in the Bluegrass.  The Indiana and rare Keen’s bat, both also endangered, inhabit caves along this middle stretch of the Kentucky as well.  Disrupting the nightly routine of leather-winged creatures certainly is not on our itinerary.  This particular cave, while large at the entrance, appears to be vacant of bats, but this comes as little surprise.  Sadly, spray-painted graffiti mars every smooth surface inside the cave, some of it dating back decades.

“’Martha Jean Murray, 1946.’  What makes people want to leave their names on nature?”  Danny wonders aloud.  “I mean, I can understand graffiti on a boxcar, beneath an overpass, or on the side of a building, but in a cave…?”  He ponders the scrawl as he pulls his bedroll from the drybag.

“Permanent litter.” I say, kicking a plastic Mountain Dew bottle over into a small pile of cans by the cave mouth.  In addition to empty containers, someone has left a ratty sleeping bag unfurled by the charcoal remains of an old campfire.  “Bats must’ve given up on this place.  As for humans, I suppose we all suffer from a sort of Gilgamesh complex from time to time, you know, wanting to stamp our names on the bricks, cheat death, live forever like the gods…’Mere man—his days are numbered; whatever he may do, he is but wind.’”

Danny passes the Svedka.  “Well, maybe, I guess.  But my money says Martha Jean Murray probably just got drunk, scrumped her beau, and wanted to commemorate her role in a night of youthful wantonness.”

“Plausible.  We’re not all destined to ponder the brainy species’ futile vanities stacked against the terminal void—not all destined to look ‘over the wall’ and ‘see the bodies floating on the river.’  Some of us have to live our lives and do all the stupid shit so that others of us can ponder it, snicker, scoff, and make judgments, prophesize, correct?”  I light the burner on the stove.  We’re both momentarily drawn into the gas-blue gush of flame.

“Something like that…” Danny trails off.  “What did I do with the chicken?”  I pour a few cups of water into the pot and watch it hiss and steam, and when it starts to boil I throw in the seasoned pint of dry-mix: black-eyed peas and lentils.  After ten minutes I add another couple cups of water and slice onion, garlic, and yellow fingerlings.  Danny finally locates the chicken—leftover from the night before.  We scrunch what’s left of the carcass into the pot.  After a half-hour of heavy boiling, I throw in the kale, salt and pepper, and pronounce it all done—enough.

“Beans are a little al dente, but that just makes it fun to eat.”  We heap our bowls, and while the soup cools, we forage for deadfall below the mouth of the cave and start a small fire in a stone ring left over from someone else’s bivouac.  A thumbnail clipping of moon rises above the tree-line atop the palisade to our east.  We eat in silence to the flickering firelight, turning occasionally to check our oversized shadows in the cave.

 

Free Willy, the jolly Stratigraphite

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The Devil’s Pulpit nearby Mary Baker Hollow. Photo by Wesley Houp.

“Smells good, lads.”

“Did you say something?”  Danny asks over a spoonful.

“No, but, yeah, it does smell mighty appetizing.”

“I didn’t say that.”  He gives me a blank stare.

“Didn’t say what?”  I look up from my bowl.

“I didn’t say, ‘Smells good lads.’”

“Back here, gentlemen.  Put some light my way.  I can’t see a damn thing.”  Danny and I both jump to attention, backing away from the cave mouth to the edge of the steep slope.

“Who’s there?”  Danny points his headlamp toward the rear of the cave.  “Who’s there?”  I set my bowl down in the dark bramble and fix my beam.

“I’m just a traveler, a mere mite a-scurry on the colossus.”  Just as the voice tapers off, the brown, dimpled dome of a ranger’s hat rises out of the narrow crawl space in the back of the cave.  “I can assure you that I mean no harm.  I bear only good news: the earth wants you.”  As he speaks, he slowly rises and stands up, fully illuminated in our combined beams.  His brown overcoat is caked in light bluish lime; his dungarees are likewise filthy with the cuffs tucked into the top of knee-high leather boots.

“The earth wants us?  What the hell is that supposed to mean?” Danny asks as we both squint through the swirling mist of our own heavy exhales.

“We’ll get to that in a minute.  First, how about some of that soup and proper introductions?”  He steps toward us then stops and raises his hand in recognition of our apprehension.  “I know this must be terrific for you, to be enjoying a solitary moment with nature and suddenly have a complete stranger crawl out of the earth and startle you.  Believe me, I understand.  But there’s nothing to fear.  I’m a peace-loving creature, an academic reborn.  I’ve been…exploring the earth, and it just so happens that we all chose to be in this particular cave on this particular night.  Pure serendipity.”  Now standing in full exposure to our light, we observe him to be slight of stature, energetic enough but nonthreatening nonetheless.  Together, we all move toward the soup, which is cooling in its pot on a slab of limestone just inside the cave mouth—the stranger stepping slowly out from the recess and Danny and I stepping slowly in from the mouth.

“Ah…I haven’t eaten river gourmet in years.  Just dish me up a little; I don’t want to be an imposition on your provender.”  Without taking his eyes of the stranger, Danny feels around and finds his mess kit and hands the extra bowl to me.  I pour in one ladle-full, maintaining eye contact, and slowly hand the bowl in his direction.  He extends a hand.

“Spoon?”  He asks.

“Sorry.”  We respond simultaneously.

“No matter.  I’ve camped all up and down this river in my years and never once let lack of spoonage best my hunger.”  He sits cross-legged on a large rock.  “Please, dear hosts, take up your bowls and join me.”  Danny and I hesitantly sit and join the stranger in quiet souping.  I break the momentary silence.

“So, you’ve traveled the river before?”

“Oh, yes.  Many times.  Up and down its beautiful corridor.  More than any other tributary of the mighty Ohio, the Kentucky exhibits the master plan of drainage modification through the yawning lapse of geologic time.”  Reaching in the inside pocket of his overcoat, he produces a small leather folio, and flipping through its ratty leaves, fixes upon some penciled notes.  “Tracing its origins to the great Appalachian crustal movements that marked the end of the Paleozoic era, the Kentucky River during the broad sweep of Mesozoic and Cenozoic time down to the present day has persistently pursued its course to the northwest into the central interior basin of the Middle West.” He puts the folio down beside him and raises his bowl to his nose, inhaling swirling tendrils of steam.

“Aren’t you going to eat?”  Danny asks, pointing with his spoon.

“Don’t need to, lads.  Figures such as myself have no use for food anymore.  I just like to take in the aroma from time to time.  It reminds me of my…former life.”

“Your former life?”  I stop eating and try to focus on his eyes.  Since he emerged from the earth, the wide brim of his ranger’s hat has obscured the upper half of his face with shadow.  “What’s that supposed to mean?”

“Well…” He places his bowl on top of his folio beside him.  “It’s a long, strange story.  I’ll spare you the lecture on the physics of transubstantiation.  Just suffice it to say, I once was a man with a passionate obsession, a livelihood, a wife, children, the whole kit and caboodle.  But like all men, I died.  It wasn’t tragic and sorrowful; I lived a good, full life, and passed on without regret.  Having been a man of my age, maintaining an unshakable faith in the power of physical science to provide answers to fundamental questions of human life and the cosmos, and having inherited the Wesleyan tradition of my parents and preserved its peculiar rites and rituals for my children, I went to my death not knowing exactly what to expect, if anything.  But what I discovered in the great beyond is simple and profound: the earth wasn’t done with me.  For the last 36 years, I’ve been crawling around inside the stratigraphy, wedged inside fossil depths, swimming through the water-table, peeking through holes in the mantle, making schematic sketches of the earth’s inner movements, this great gearbox of stone.   The last time I emerged was…oh…sometime in the late 80s, I think.  I spent time with a young shepherd, Marouan, in his cave in the Atlas Mountains.  If you know your paleogeography, you’ll recall that the Atlas Mountains of Morocco were at one time part of the Appalachians, so I felt right at home.  He offered couscous and goat cheese, but I couldn’t eat that either.

“I can’t complain,” he continues.  “My passionate obsession has always been stratigraphy, well, and drainage modification.  I just happened to be near the surface when I heard the echo of your voices.  I happened to overhear your conversation about faulting along the river and couldn’t help but introduce myself.”

We sit spellbound in the flickering firelight.  “Well, then,” Danny interjects, “who…er…what are you, exactly?”

“The name’s…uh…you can call me Free Willy.”  We both chuckle at the allusion.

“Like the orca in the movie.  Great.”  I laugh, meaning no offense.

“I’m not sure what you’re talking about,” he retorts.  “I’m free to do as I wish, to move about under the earth without fear of earth’s recriminations.  I’m Willy because that’s what my friends called me when I was a surface-dweller.  As to what I am, let’s just say I’m energy that follows through the inherited entrenchment of a human life.  I guess you could call me a Stratigraphite, humble creeper from the loins of the earth.”   Danny and I finish our soup, and unfurl sleeping bags nearer to the fire than to Free Willy.  The thumbnail moon has risen and disappeared from our cave-mouth vantage point in the time since our strange guest arrived.

“Looks like you’re bedding down.  How about a few more words of river history around the campfire?”  He picks up his folio and rustles through the leaves.  “First of all, a note on structure: the principal structural feature in the Kentucky river basin, as in the State, taken as a whole, is the Cincinnati Arch, an arrested uplift of mountain-making proportions.  The origin of this great structural feature may be traced with ample evidence to the late Ordovician if not earlier.  Though ancient in its beginnings, it has continued its upsurge intermittently through subsequent geologic time and there are some physiographic evidences available today, particularly the slightly superior attitude of surface ridges coinciding with the structural crest of the Arch, which tend to suggest that the last rise of this structure of about 1000 feet begun in the Pliocene and continued into the Pleistocene may not yet have been entirely complete.” He pauses to study our supine forms.  “That is to say, lads, that the ancient movements beneath this stretch of earth are still turning.  All this fissuring in the rock…it’s a work in progress.”

He turns back to the page.  “The crest of the Lexington dome of the Cincinnati Arch at Camp Nelson, in the gorge of the Kentucky river, is marked by complex normal faulting of northeast-southwest strike.  Down-throw, ranging from 250 or 350 feet as a maximum, is on the southeast side of this fault zone which traverses the central channel of the Dicks river a few miles east of Danville.  Up stream from Camp Nelson this Kentucky river fault zone, as it is known somewhat generally in the literature, crosses and recrosses the main gorge of the river eight or nine times finally leaving the river near Boonesboro and passing to the northeast into Clark County in a somewhat broken course toward Mt. Sterling.” Again he pauses.  “We are deep in fault here, boys.  Deep in fault.

“The Kentucky River Fault Zone as a prominent structural feature dates from this time in the Cretaceous or early Eocene, though its origin probably stems from the Appalachian Revolution at the end of the Paleozoic era.

“As the northwestern wall of this fault rose steadily, the Kentucky river, its headwaters diverted and its volume of flow thereby reduced one-third or more, struggled to maintain its original course of N. 45° W. over that part of the inner Bluegrass region now marked by its famed tributary, Elkhorn Creek.  As the barrier fault wall continued to rise the river gradually ponded back on itself in meandering pattern, as if tired of trying to maintain its northwestern course, turned to the southwest and slipped over a low divide or col into the valley of its principal southern tributary, the Dicks river.  All along its new course to the Dicks it followed the barrier wall of the fault, which in time it was able to cut out in some measure and thus establish across it by the end of the period of Tertiary (late Miocene or Harrisburg) base leveling a restricted meandering pattern.

“And so,” he once again pauses to make sure we’re still awake, “the river never was able to resume its old pre-Cretaceous course directly to the northwest.  Instead it found itself imprisoned in the early Tertiary more northerly directed lower valley of its tributary the Dicks river which it followed and enlarged past the present site of the Capitol at Frankfort until it regained its old Mesozoic course near the present day mouth of Elkhorn or Cedar Creeks.  From this point it continued its course of ‘first intent’ to the northwest until it met the small ancestral Vevay river near where Carrollton now stands.”

To be continued. Part two will appear in the March issue.

 

By Marcus Flores

Wrapped ‘round the quarter acre plantation were 12-foot fences topped with razor wire. It was monitored by—although armed guards were preferable—24-hour infrared surveillance cameras. Along with a library of documentation, this fortress was required by the Drug Enforcement Administration (DEA) for the University of Hawaii’s 1999 permit to grow industrial hemp, a plant which has no psychoactive value.

The Controlled Substances Act of 1970 classified hemp alongside marijuana (and heroin and cocaine) as a Class I substance. Yet hemp, a subtype of cannabis sativa, was bred specifically to minimize the THC content as well as to maximize the strength of its fibers. Probably due to the cost of federal compliance, Hawaii did not opt to renew its permit, and so far it has been the only state to submit to the regulations of a government in denial about the medical as well as industrial applications of certain flora.

Common sense was at one time more prevalent in United States agriculture. In fact, hemp once made Lexington the center of the textile universe before it became illegal. Now, the United States must import from Canada the crops its Founding Fathers grew.    Continue reading »

 

The continuing struggle of garment workers

By Beth Connors-Manke 

If you view history as a discrete set of events, then the similarities are eerie. March 1911: 146 garment workers, many of them young women, die in a factory fire at the Triangle Shirtwaist Company. November 2012: 111 garment workers, many of them women, die in a factory fire at the Tazreen Fashions Company. Neither building had a sprinkler system, although the technology was available. Both factories had fabric stored in ways that led easily to raging fires; in both factories, escape routes were blocked and workers were hindered from speedy evacuations. In each case, workers had protested labor conditions before the disasters.

However, if you view history as a long struggle for progress and social justice, the similarities are depressingly tragic. One hundred years after the Triangle fire in New York City, the Tazreen blaze in Dhaka, Bangladesh, again finds Americans thoughtlessly complicit in deadly working conditions for garment workers. It may not have happened in one of our industrial cities, but the Tazreen fire still occurred in our supply chain—it is still a product of our economic structure and attitudes about labor. Continue reading »